Horse Stable Recording Capabilities




started out withe 4-track reel-to-reel back in 1980
then began converting over to digital in 1998




added the Tapco (Mackie) mixer I bought from Glen Ledbetter
when we were playing at McGoos in McMinnville




Marshall Electronics MXL-2001 condenser mic w/25mm gold sputtered diaphram




(2) Nady CM-90 condenser mics, 20mm diaphram, FET transistor




Shure SM-57 dynamic microphone




CakeWalk Music Creator 1999 multitrack digital recording and MIDI interface




Applied Research and Technology Tube Pac vacuum tube preamp/compressor




mobile rack, top to bottom:
Harman-Cardon DC5300 tape deck
Antares AVP-1 vocal processor
DOD SR460H headphone preamp (6 outputs)
Aphex Aural exciter type C2 (mastering)
Tascam CD-160 CD deck
Sony PCM-R300 DAT deck w/fiber optic SPDIF interface




E-MU 1212m pci audio adapter (ProTools AD/DA converters)




Cubase 5.0 (2012) music production software




KRK Rokit-5 powered near-field monitors




Santa Cruz TB PCI audio adapter w/256 embeded MIDI samples




MXL 1006 condensor mic rebuild




RK-47 capsule (Neumann U47) 27mm gold-sputtered mylar diaphram




Shure Beta 58a dynamic microphone




MXL 990 condensor mic w/2-layer basket retrofit




Alesis midiverb 3 digital reverb




more mobile recording gear: Antique IBM Thinkpad loaded w/Cubase 5
Neewer NW-300E USB-powered Condenser mic
the laptop screen shows the waveforms of a successful test



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